Play Sound Mamma Mia! Here We Go Again Colin Firth on His Character 'Harry' at the Start of the Film Now Playing Mamma Mia! Here We Go Again Colin Firth on His Character 'Harry' at the Start of the Film Summary Ten years later on the Greek island of Kalokairi, Sophie is pregnant and runs her motherĂąâŹâąs villa. Concerned that she can't do it all by herself, with Tanya and RosieĂąâŹâąs guidance, Sophie will find out more about DonnaĂąâŹâąs past and how she ran the hotel, met each one of SophieĂąâŹâąs dads and raised a baby, all on her own ĂąâŹâ with an unexpected visit of someone she had never met before her grandmother.HereWe Go Again ou Mamma Mia! C'est reparti au QuĂ©bec est un film musical amĂ©ricano - britannique rĂ©alisĂ© par Ol Parker et sorti en 2018 . C'est une suite mais Ă©galement une prĂ©quelle du film Mamma Mia! rĂ©alisĂ© par Phyllida Lloyd et sorti en 2008. Ce dernier Ă©tait lui-mĂȘme adaptĂ© de la comĂ©die musicale du mĂȘme titre qui s'inspire Even by the standards of our current eraâs wanton entertainment franchising, Mamma Mia! Here We Go Again is a thoroughly unnecessary sequel to a decade-old film that combined self-conscious acting, dubiously tuneful singing, and cartoonish comedy into an erratic, lifeless musical. Itâs all the more surprising, then, to discover that writer-director Ol Parkerâs follow-up boasts such confident performances and choreography that it feels as much like a final draft of the 2008 film as a continuation of it. The story is, thankfully, kept lean. In the present, Sophie Amanda Seyfried prepares to reopen herâspoiler ahoy!âlate mother Donnaâs Meryl Streep hotel, fretting over the matter alongside one of her fathers, Sam Pierce Brosnan, as the other two, Bill Stellan SkarsgĂ„rd and Harry Colin Firth, are too preoccupied with work to attend the event. Meanwhile, extended flashbacks see young Donna Lily James arriving at the Greek island that will become her home and having her fateful trysts with Sam Jeremy Irvine, Bill Josh Dylan, and Harry Hugh Skinner. Each plotline progresses without complication, all the better to make room for the musical performances. In Phyllida Lloydâs Mamma Mia!, the musical numbers only periodically synched up with the plot of the film. Here, the music is more organically incorporated into the story, as in âWaterlooâ popping on while Donna and Harry go on a date in a Parisian cafĂ©, and âKnowing Me, Knowing Youâ playing as Donna rejects Sam upon learning that he has a fiancĂ©e. If the choreography and editing in the first film seemed built around concealing the starsâ lack of singing ability, the musical numbers in Here We Go Again feel more expansive and classically conceived. The sequence set to âWaterloo,â for example, builds from Harryâs awkward solo vocals to a massive group sing-along, complete with elaborate choreography that strikes just the right balance between coherent progression and goofily timed sight gags, like each of the young coupleâs heads randomly ending up under tableware cloches. With the exception of Seyfried and James, though, the actorsâ singing is frequently buried in the sound mix in order to mask dodgy vocal deliveries. Brosnanâs pitch remains so unwaveringly flat that he recalls Jean Hagenâs haplessly tuneless star in Singinâ in the Rain. Elsewhere, Donnaâs backstory is completely redundant, and much of the dialogue, while sharper this time around, serves a purely expositional function. Still, the jokes land more times than not, and Christine Baranski and Julie Walters delight in their charactersâ cattiness. The unreservedly lusty wit that Baranskiâs Tanya freely displays is especially funny and bracing throughout, as when she spots a handsome older gentleman and hoarsely whispers, âI hope his wife is dead.â In its frothy charm, Here We Go Again reflects the sensibilities of the band whose music inspired it. ABBA epitomizes the paradox of pop music engineered with factory precision to sound organic and tossed-off, and the film similarly connotes a sense of almost casual warmth that belies how much more intricately staged it is than its predecessor. If Mamma Mia! felt too much like actors nervously stepping up to the karaoke mic, the sequel more closely resembles the carefree pantomime of Lip Sync Battle, from the theatrics of the musical numbers to the ways that the actors playing the charactersâ younger selves excitedly channel the tics of their older counterparts. The film is like a visual earworm, its flaws overridden by infectious moments that, to take a cue from ABBA, you couldnât escape if you wanted to. Cast Amanda Seyfried, Meryl Streep, Christine Baranski, Julie Walters, Pierce Brosnan, Colin Firth, Stellan SkarsgĂ„rd, Cher, Dominic Cooper, Andy GarcĂa Director Ol Parker Screenwriter Ol Parker Distributor Universal Pictures Running Time 114 min Rating PG-13 Year 2018 Buy Video, Soundtrack âTell the truth but tell it slantâSUBSCRIBE TO OUR NEWSLETTERSign up to receive Slantâs latest reviews, interviews, lists, and more, delivered once a week into your inbox.
HereWe Go Again (2018) â the aptly titled sequel to the musical Mamma Mia! (2008) â I saw plenty of people with smiles on their faces. They had a bounce to their step, looking at each other with sparkles in their eyes while humming allMamma Mia Here We Go Again Lyrics[Verse 1 Lily James]I was cheated by youAnd I think you know whenSo I made up my mindIt must come to an end[Pre-Chorus Lily James]Look at me now, will I ever learn?I don't know howBut I suddenly lose controlThere's a fire within my soulJust one lookAnd I can hear a bell ringOne more look and I forget everything, w-o-o-o-o-h[Chorus Lily James, Jessica Keenan Wynn & Alexa Davies]Mamma mia, here I go againMy my, how can I resist ya?Mamma mia, does it show again?My my, just how much I've missed yaYes, I've been brokenheartedBlue since the day we partedWhy, why did I ever let you go?Mamma mia, now I really knowMy my, I should not have let you go[Verse 2 Lily James]I was angry and sad'Bout the things that you doI can't count all the times that I cried over you[Pre-Chorus Lily James]And when you goWhen you slam the doorI think you knowThat you wonât be away too longYou know that Iâm not that strongJust one lookAnd I can hear a bell ringOne more look and I forget everything, w-o-o-o-oh[Chorus Lily James, Jessica Keenan Wynn & Alexa Davies]Mamma mia, here I go againMy my, how can I resist ya?Mamma mia, does it show again?My my, just how much I've missed yaYes, I've been brokenheartedBlue since the day we partedWhy, why did I ever let you go?Mamma miaNow I really knowMy, my, I should not have let you goYouTube Video Embeded Below [Spanish Version][VersĂculo 1 Lily James]Me engañasteY creo que sabes cuandoAsĂ que me decidĂDebe llegar a su fin[Pre-estribillo Lily James]MĂrame ahora, ÂżaprenderĂ© alguna vez?No se comoPero de repente pierdo el controlHay un fuego dentro de mi almaSolo una miradaY puedo escuchar el sonido de una campanaUna mirada mĂĄs y me olvido de todo, w-o-o-o-o-h[Estribillo Lily James, Jessica Keenan Wynn y Alexa Davies]Mamma mia, aqui voy de nuevoDios mĂo, ÂżcĂłmo puedo resistirte?Mamma mia, Âżvuelve a aparecer?Dios mĂo, cuĂĄnto te he echado de menosSĂ, me han roto el corazĂłnAzul desde el dĂa que nos separamosÂżPor quĂ©, por quĂ© te dejĂ© ir?Mamma mia, ahora lo sĂ© de verdadDios mĂo, no deberĂa haberte dejado ir[Verso 2 Lily James]Estaba enojado y tristeSobre las cosas que hacesNo puedo contar todas las veces que llorĂ© por ti[Pre-estribillo Lily James]Y cuando te vayasCuando golpeas la puertaCreo que usted sabeQue no estarĂĄs lejos por mucho tiempoSabes que no soy tan fuerteSolo una miradaY puedo escuchar el sonido de una campanaUna mirada mĂĄs y me olvido de todo, w-o-o-o-oh[Estribillo Lily James, Jessica Keenan Wynn y Alexa Davies]Mamma mia, aqui voy de nuevoDios mĂo, ÂżcĂłmo puedo resistirte?Mamma mia, Âżvuelve a aparecer?Dios mĂo, cuĂĄnto te he echado de menosSĂ, me han roto el corazĂłnAzul desde el dĂa que nos separamosÂżPor quĂ©, por quĂ© te dejĂ© ir?Madre mĂaAhora realmente lo seDios mĂo, no deberĂa haberte dejado irCreditsName Writers Stig Anderson, Björn Ulvaeus & Benny Andersson Artists Mamma MiaProducers Benny Andersson Released July 13, 2018
MammaMia, here we go again. My, my, how can I resist it? News that the Duke and Duchess of Sussex have just adopted a rescue beagle named after the Abba hit is just the doggy boost the nation needs after the indulgent aural stodge of Meghanâs new podcast. Listening to the first episode of Archetypes, which found the rich, famous and successful duchess